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Coolmoviez provides a huge variety of movies and you can choose anyone according to your desire. By browsing such type of online movies you can watch movies and get free movies with a great comfort at home. Coolmoviez also provides of. As we all know that many websites are present but if you are wondering for the best one then it can be a difficult task. While some people think that it is an easy task but only those people can understand the difficulty level that has already gone through from this. For this, you should consider the reviews of websites because by this you are able to get knowledge about feedbacks of previous users. This is the best and easy way to make any decision and get enjoyed by watching a different type of online movies.
In nutshell; online movies are the best time pass by which we can easily relieve stress after a heavy schedule. With the help of this, we can also get entertained and spend some enjoyable time with friends. If you want to take benefits of watching online movies then you just need a good internet connection which allows accessing the internet. When we observe any movies then quality stands on a high position in light of the fact that on the off chance that we watch a film with low-determination then it can destroy all appreciate. The greater part of the sites offer an extraordinary nature of video and great sound impacts so on the off chance that you need to observe any kind of film then it ought to be your first inclination. By picking this as a perfect choice a client can get a stunning background which can't be beaten by some other stage. Online sites additionally give films clear pictures and in that dialect which can be comprehended by you.
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Running time 93 minutes Country United States Language English Budget $80 million Box office $68.5 million Looney Tunes: Back in Action is a 2003 American directed. It is the third feature-length live-action/animation hybrid film to feature characters, after (1988) and (1996). The plot follows and (both voiced by ) as they help aspiring Damian 'D.J.'
and executive Kate Houghton find the ' diamond in order to prevent the evil Mr. Chairman of the from using it to turn mankind into monkeys that will manufacture his products; the group also attempts to rescue D.J.' S father , an actor and spy who has been captured by Mr. The film was theatrically released on November 14, 2003 with mixed-to-positive critical reception. However, the film was a, grossing $68.5 million worldwide against an $80 million budget. This was the final film to be scored by composer, who died less than a year after the film's release. This was also the final film to be produced.
Contents. Plot Tired of playing to, demands his own cartoon from, but is promptly fired.
Aspiring DJ Drake is asked to escort Daffy off the studio lot, but the ensuing chase leads to the demolishing the studio. DJ is also fired in the process, and returns home with Daffy hitching a ride, discovering his father, star, Damian Drake, is actually a.
Damian instructs his son to travel to, find his associate Dusty Tails, and gain the mystical 'blue monkey', but he is shortly thereafter captured by the, led by the childish Mr. DJ and Daffy head for Vegas. Meanwhile, Bugs' routines fall apart without Daffy, so 'Vice-President of Comedy,' Kate Houghton, is sent to rehire Daffy or face being fired herself.
Bugs informs Kate of the situation, so they steal Damian's spy car, and pursue DJ and Daffy. In Las Vegas, DJ and Daffy meet Dusty in a owned by Acme operative. Dusty gives them a strange playing card, but when Sam attempts to kill them, they flee in the spy car with Bugs and Kate. The spy car, which can also, crashes in the Nevada desert.
The group eventually stumbles upon, run by a woman called 'mother', who informs them of the situation, and plays a video recording, which reveals that Acme intends on using the blue monkey to transform mankind into monkeys to manufacture their products, before turning them back into human beings to purchase them., imprisoned in the facility, escapes and leads a group of fellow alien inmates to obtain the playing card, but the heroes escape. Seeing that the card has 's face on it, the group conclude they must view the painting in the, located in. At the Louvre, they discover that the card contains a viewing window, and looking through it, the window reveals that the Mona Lisa has a map of hidden beneath. Appears, and, revealing himself as an Acme operative, chases Bugs and Daffy through the gallery for the card whilst Kate is kidnapped by Mr. Chairman's, Mr.
Smith, to obtain a photo of the African map. DJ rescues Kate. Elmer is disintegrated by Bugs after jumping out of a pointillism artwork. Bugs and Daffy reunite with DJ and Kate, and they leave Paris.
DJ, Kate, Bugs, and Daffy travel to Africa, meeting Granny, Sylvester, and Tweety, who escort them to the ruins of a jungle temple where they find the blue monkey. Granny and company reveal themselves to be Mr. Chairman, Smith, and the Tasmanian Devil in disguise. Chairman uses a to transport himself and the heroes to the Acme headquarters where he forces DJ to give him the diamond, when Damian is revealed to be his prisoner. Marvin is sent to place the blue monkey on an Acme satellite which will emit an energy beam around the world to turn everyone, except Mr. Chairman, into monkeys. DJ and Kate rescue Damian from a death trap, whilst Bugs and Daffy pursue Marvin into space.
Bugs is incapacitated, prompting Daffy to become, in order to destroy the blue monkey. The transforming energy beam only strikes Mr. Chairman, turning him into a monkey.
Bugs and Daffy return to Earth, where Daffy discovers the whole adventure was staged to make a film. However, Bugs promises Daffy they will be equal partners, but just as Daffy's luck seems to be improving, he is flattened by the Looney Tunes iris, where attempts to close the film with 'That's all folks!' Only for the studio to shut down before he can finish, and he tells the audience to go home. Cast.
as D.J. Drake / Himself. as Kate Houghton.
as Mr. Chairman. as Dusty Tails. as Mother.
as Damian Drake. as Mr. Smith. Don Stanton as Mr.
Warner. Dan Stanton as Mr. Warner's brother. as himself (cameo). as himself (cameo). as Dr Miles Bennell (cameo).
as Himself (cameo via archive footage from ). as studio director (cameo). as Civil Defense film host (cameo). as Acme VP, Stating the Obvious. as Acme VP, Never Learning. as Acme VP, Rhetorical Questions Voices. as,.
as,. as. as, Tasmanian She-Devil.
as. as,.
as. as,. Danny Chambers as Cottontail Smith. as Papa Bear. as Junior Bear. as.
as. as Robo Dog and Spy Car. as Gremlin Car (archive recordings) Production A follow-up to was planned as early as the film's release. As development began, Space Jam 2 was going to involve a new competition between the Looney Tunes and a new villain named Berserk-O! Artist was tasked with designing Berserk-O! And his henchmen. Would have returned to direct and and signed on as the animation supervisors.
However, did not agree to star in a sequel. According to Camp, a producer lied to design artists, claiming that Jordan had signed on in order to keep development going. Eventually canceled plans for Space Jam 2. The film then re-entered development as Spy Jam and was to star. Was also planning a film titled Race Jam which would have starred. Both projects were ultimately cancelled. Eventually asked to direct Back in Action, having had previous success with (1984) and (1987).
In the early 1990s, Dante wanted to produce a biographical comedy with, called Termite Terrace. It centered around director ' early years at Warner Bros. In the 1930s. On the project, Dante recalled 'It was a hilarious story and it was very good except that Warner Bros. Said 'Look, it’s an old story.
It’s got period stuff in it. We don’t want that. We want to rebrand our characters and we want to do Space Jam.' ' Dante agreed to direct Back in Action as tribute to Jones. He and screenwriter reportedly wanted the film to the 'Anti- Space Jam' as Dante disliked how that film represented the Looney Tunes brand and personalities.
Dante said 'I was making a movie for them with those characters Looney Tunes: Back in Action and they did not want to know about those characters. They didn’t want to know why shouldn’t do hip-hop. It was a pretty grim experience all around.' Hired 's, most known for his fast-paced, Warner Bros.-inspired animation of the in (1992), to direct the animation. On the film, Dante stated 'It's a gagfest. Not having a particularly strong story, it just goes from gag to gag and location to location. It's not a particularly compelling narrative, but, of course, that's not where the charm of the movie is supposed to lie.'
On the subject of filming, Dante said 'We would shoot each scene three times. First we'd rehearse with a stand-in—a 'stuffy,' we called it. Then, we'd shoot the scene without anything in it; then, we'd shoot the scene again with this mirror ball in the shot which shows the computers where the light sources are. Then the animators would go to work and put characters into the frame. The problem with that movie came when the studio executives started to get tired of our jokes and wanted us to change them. But, of course, the animation is done to the voices and not the other way around. It was difficult trying to convince them that you don't just bring in 25 gag writers and try to write a joke that's short enough to put in somebody's mouth.'
Although the production had twenty-five gag writers, the film has only one credited writer. Despite being directed by acknowledged fans of the original cartoons, Dante stated that he had no creative freedom on the project, and called it 'the longest year and a half of my life.' Dante felt that he and Goldberg managed to preserve the original personalities of the characters. However, the opening, middle, and end of the film are different from what Dante envisioned. Goldberg also provided the voices of, and.
Provided the voice of the and She-Devil, having impressed Dante with his Taz vocal impression. Soundtrack This was the final film legendary composer created music for. Due to Goldsmith's failing health, the last reel of the film was actually scored by, though Goldsmith was the only credited composer in marketing materials and the soundtrack album only contains Goldsmith's music (although the first and last cues are adaptations of compositions heard in Warner Bros. Debney receives an 'Additional Music by' credit in the closing titles of the film and 'Special Thanks' in the soundtrack album credits. Goldsmith died in July 2004, eight months after the film's release. Life Story – (:18). What's Up?
Retrieved October 30, 2015. Retrieved January 25, 2008. Retrieved 2008-01-29. Retrieved 2008-01-29. The Animated Movie Guide.
January 21, 2003. Archived from on May 17, 2008.
Retrieved June 2, 2009. Retrieved January 12, 2017. Behind the Voice Actors. Retrieved May 27, 2016.
– check mark indicates BTVA has verified the entries using screenshots of credits and other confirmed sources. Animated Views. November 30, 2012. Retrieved 2014-06-18. Something Old, Nothing New.
June 15, 2007. Retrieved 2014-06-18. Sachs, Ben (August 8, 2012). Retrieved February 13, 2016. February 21, 2008.
Retrieved 2014-06-18. soundtrack review. Retrieved 2011-03-18. Retrieved 2011-12-02.
November 14, 2003. Retrieved October 29, 2012. Retrieved 17 December 2016 External links Wikiquote has quotations related to:. on.
Bugs Bunny / character First appearance (early version) April 30, 1938 (official version) July 27, 1940 Created by, (prototype) (official) (1940–1989) (1990–1998, 2003, 2011–present) (1991–1997) (1996–2006) (2000–2011) Developed by Information Species or Gender Male Nationality Bugs Bunny is an character; created in 1940 by (later ) and originally. Bugs is best known for his starring roles in the and series of animated, produced by Due to his popularity during the, he became an American and the official of. Bugs is an gray who is famous for his flippant, personality.
He is also characterized by a accent, his portrayal as a, and his catch phrase 'Eh. What's up, doc?' Though a similar rabbit character began appearing in the Warner Bros.
Cartoon shorts during the late 1930s, the definitive character of Bugs Bunny is widely credited to have made his debut in director 's -nominated film (1940). Since his debut, Bugs has appeared in various short films, feature films, compilations, TV series, music records, comic books, video games, award shows, and commercials.
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He has also appeared in more films than any other cartoon, is the ninth most-portrayed film personality in the world, and has his own star on the. A depiction of Bugs' evolution throughout the years. According to, who later wrote and drew the first Bugs Bunny comic Sunday pages and the first Bugs comic book, 'Bugs was not the creation of any one man; however, he rather represented the creative talents of perhaps five or six directors and many cartoon writers. In those days, the stories were often the work of a group who suggested various gags, bounced them around and finalized them in a joint story conference.'
A rabbit with some of the personality of Bugs, though looking very different, was originally featured in the film, released on April 30, 1938. It was co-directed by and an uncredited (who was responsible for the initial design of the rabbit). This cartoon has an almost identical plot to Avery's (1937), which had introduced. Is again cast as a hunter tracking a silly prey who is more interested in driving his pursuer insane and less interested in escaping. Hare Hunt replaces the little black duck with a small white rabbit.
The rabbit introduces himself with the odd expression 'Jiggers, fellers,' and gave the character a voice and laugh much like those he would later use for. Hare Hunt also gives its rabbit the famous line, 'Of course you realize, this means war!' The rabbit character was popular enough with audiences that the staff decided to use it again.
According to, Hardaway and Dalton had decided to dress the duck in a rabbit suit. The white rabbit had an oval head and a shapeless body. In characterization, he was 'a rural '. He was loud, zany with a goofy, laugh. Blanc provided him with a voice. The rabbit comes back in (1939), directed by, where he is the pet rabbit of Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house.
The rabbit harasses them but is ultimately bested by the bigger of the two dogs. This version of the rabbit was cool, graceful, and controlled.
He retained the guttural laugh but was otherwise silent. The rabbit's third appearance comes in (1939), directed again by Dalton and Hardaway.
This cartoon—the first in which he is depicted as a gray bunny instead of a white one—is also notable as the rabbit's first singing role., lead animator on the film, gave the character a name. He had written 'Bugs' Bunny' on the model sheet that he drew for Hardaway. In promotional material for the cartoon, including a surviving 1939 presskit, the name on the model sheet was altered to become the rabbit's own name: 'Bugs' Bunny (quotation marks only used, on and off, until 1944). In his autobiography, Blanc claimed that another proposed name for the character was 'Happy Rabbit.'
In the actual cartoons and publicity, however, the name 'Happy' only seems to have been used in reference to Bugs Hardaway. In Hare-um Scare-um, a newspaper headline reads, 'Happy Hardaway.' Thorson had been approached by, head of the story department, and asked to design a better rabbit. The decision was influenced by Thorson's experience in designing hares. He had designed Max Hare in (Disney, 1936).
For Hardaway, Thorson created the model sheet previously mentioned, with six different rabbit poses. Thorson's model sheet is 'a comic rendition of the stereotypical fuzzy bunny'. He had a pear-shaped body with a protruding rear end. His face was flat and had large expressive eyes. He had an exaggerated long neck, gloved hands with three fingers, oversized feet, and a 'smart aleck' grin. The end result was influenced by ' tendency to draw animals in the style of cute infants.
He had an obvious Disney influence, but looked like an awkward merger of the lean and streamlined Max Hare from (1935), and the round, soft bunnies from (1937). In Jones' (1940), the rabbit first meets. This time the rabbit looks more like the present-day Bugs, taller and with a similar face—but retaining the more primitive voice. Candid Camera's Elmer character design is also different: taller and chubbier in the face than the modern model, though 's character voice is already established. Official debut.
Bugs' first appearance in (1940). While was the first Warner Bros. Cartoon to feature a Bugs Bunny-like rabbit, directed by and released on July 27, 1940, is widely considered to be the first official Bugs Bunny cartoon. It is the first film where both Elmer Fudd and Bugs, both redesigned by, are shown in their fully developed forms as hunter and tormentor, respectively; the first in which uses what would become Bugs' standard voice; and the first in which Bugs uses his catchphrase, 'What's up, Doc?' A Wild Hare was a huge success in theaters and received an nomination for. For the film, Avery asked Givens to remodel the rabbit. The result had a closer resemblance to Max Hare.
He had a more elongated body, stood more erect, and looked more poised. If Thorson's rabbit looked like an infant, Givens' version looked like an adolescent. Blanc gave Bugs the voice of a city slicker. The rabbit was as audacious as he had been in Hare-um Scare-um and as cool and collected as in Prest-O Change-O. Immediately following on A Wild Hare, 's (1940) features a by Bugs, announcing to the audience that 750 rabbits have been born. The gag uses Bugs' Wild Hare visual design, but his goofier pre- Wild Hare voice characterization.
The second full-fledged role for the mature Bugs, ' (1941), is the first to use Bugs' name on-screen: it appears in a title card, 'featuring Bugs Bunny,' at the start of the film (which was edited in following the success of A Wild Hare). However, Bugs' voice and personality in this cartoon is noticeably different, and his design was slightly altered as well; Bugs' visual design is based on the prototype rabbit in Candid Camera, but with yellow gloves and no buck teeth, has a lower-pitched voice and a more aggressive, arrogant and thuggish personality instead of a fun-loving personality. After Pet Rabbit, however, subsequent Bugs appearances returned to normal: the Wild Hare visual design and personality returned, and Blanc re-used the Wild Hare voice characterization. (1941), directed by, became the second Bugs Bunny cartoon to receive an Academy Award nomination. The fact that it didn't win the award was later spoofed somewhat in (1944), in which Bugs demands a recount (claiming to be a victim of ') after losing the Oscar to and presents a clip from Hiawatha's Rabbit Hunt to prove his point. World War II By 1942, Bugs had become the number one star of Merrie Melodies.
The series was originally intended only for one-shot characters in films after several early attempts to introduce characters (, and ) failed under –. By the mid-1930s, under, Merrie Melodies started introducing newer characters. (1942) shows a slight redesign of Bugs, with less-prominent front teeth and a rounder head. The character was reworked by, then an animator in Clampett's unit. The redesign at first was only used in the films created by Clampett's unit, but in time it would be taken up by the other directors, with Freleng and the first. When McKimson was himself promoted to director, he created yet another version, with more slanted eyes, longer teeth and a much larger mouth.
He used this version until 1949 (as did for the one Bugs Bunny film he directed, ) when he started using the version he had designed for Clampett. Jones would come up with his own slight modification, and the voice had slight variations between the units. Bugs also made cameos in Avery's final Warner Bros. Since Bugs' debut in A Wild Hare, he appeared only in color Merrie Melodies films (making him one of the few recurring characters created for that series in the Schlesinger era prior to the full conversion to color), alongside Elmer predecessor Egghead, and Elmer himself.
While Bugs made a cameo in (1943), this was his only appearance in a black-and-white Looney Tunes film. He did not star in a Looney Tunes film until that series made its complete conversion to only color cartoons beginning in 1944. Was Bugs' first film in the Looney Tunes series and was also the last Warner Bros.
Cartoon to credit Schlesinger (as he had retired and sold his studio to Warner Bros. Bugs was used to advertise World War II because they were low on troops so they found out the most athletic adults watched Bugs Bunny so they used that to attract them into the war so they could fight. In company with cartoon studios such as Disney and, Warners pitted its characters against, and the.
(1944) features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its depiction of Japanese people. One film saved from destruction features the voice of Mel Blanc in 'Tokyo Woes' (1945) about the propaganda radio host. He also faces off against and Hitler in (1945), which introduced his well-known reference to as he mistakenly winds up in the of instead of,. Bugs also appeared in the 1942 two-minute U.S. Commercial film, along with Porky and Elmer.
At the end of (1943), Bugs appears wearing a dress blue uniform. As a result, the Marine Corps made Bugs an honorary Marine. From 1943 to 1946, Bugs was the official mascot of, where thousands of aerial gunners were trained during World War II.
Some notable trainees included and. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, which was attached to the and operated out of Australia's from 1943 to 1945, flying bombers. Bugs riding an air delivered torpedo served as the squadron logo for Marine Torpedo/Bomber Squadron 242 in the Second World War.
Additionally, Bugs appeared on the nose of B-24J #42-110157, in both the 855th Bomb Squadron of the 491st Bombardment Group (Heavy) and later in the 786th BS of the 466th BG(H), both being part of the 8th Air Force operating out of England. Bugs (standing in for ) in the closing to (1945) and (1946). In 1944, Bugs Bunny made a cameo appearance in, a film produced by rival studio.
In this cameo (animated by McKimson, with Blanc providing the usual voice), Bugs (after being threatened at gunpoint) pops out of a rabbit hole, saying his usual catchphrase; after hearing the orchestra play the wrong theme song, he realizes 'Hey, I'm in the wrong picture!' And then goes back in the hole. Bugs also made a cameo in the short, in which he is found stowed away in the titular private's belongings; his only spoken line is his usual catchphrase. Although it was usually Porky Pig who brought the Looney Tunes films to a close with his stuttering, 'That's all, folks!' , Bugs replaced him at the end of and, bursting through a drum just as Porky did, but munching on a carrot and saying in his Bronx-Brooklyn accent, 'And that's the end!' Post-war era After World War II, Bugs continued to appear in numerous Warner Bros.
Cartoons, making his last 'Golden Age' appearance in (1964). He starred in over 167 theatrical short films, most of which were directed by Friz Freleng, Robert McKimson, and Chuck Jones. Freleng's (1958), in which a medieval Bugs trades blows with and his fire-breathing dragon (which has a cold), won an (becoming the first Bugs Bunny cartoon to win said award). Three of Jones' films —, and — compose what is often referred to as the 'Rabbit Season/Duck Season' trilogy and are famous for originating the 'historic' rivalry between Bugs and Daffy Duck. Jones' classic (1957), casts Bugs and Elmer Fudd in a parody of 's.
It was deemed 'culturally significant' by the United States and selected for preservation in the in 1992, becoming the first cartoon short to receive this honor. In the fall of 1960, debuted the prime-time television program. This show packaged many of the post-1948 Warners cartoons with newly animated wraparounds. After two seasons, it was moved from its evening slot to reruns on Saturday mornings. The Bugs Bunny Show changed format and exact title frequently but remained on network television for 40 years. The packaging was later completely different, with each cartoon simply presented on its own, title and all, though some clips from the new bridging material were sometimes used as filler. Later years.
Bugs and in the intro to (1960–2000). Bugs did not appear in any of the post-1964 Looney Tunes and Merrie Melodies films produced by or, nor did he appear in the lone Looney Tunes produced. He would not appear in new material on-screen again until aired in 1976.
From the late 1970s through the early 1990s, Bugs was featured in various animated specials for network television, such as, and. Bugs also starred in several theatrical compilation features during this time, including the distributed documentary (1975) and Warner Bros.' Own releases: (1979), (1981), (1982), and (1988). In the 1988 comedy, Bugs appeared as one of the inhabitants of.
However, since the film was being produced by, Warner Bros. Would only allow the use of their biggest star if he got an equal amount of screen time as Disney's biggest star,. Because of this, both characters are always together in frame when onscreen. Roger Rabbit was also one of the final productions in which Mel Blanc voiced Bugs (as well as the other Looney Tunes characters) before his death in 1989. Bugs later appeared in another animated production featuring numerous characters from rival studios: the 1990 drug prevention TV special. This special is notable for being the first time that someone other than Blanc voiced Bugs and Daffy (both characters were voiced by for this).
Bugs also made guest appearances in the early 1990s television series, as the principal of Acme Looniversity and the mentor of. He made further cameos in Warner Bros.' Subsequent animated TV shows, and Bugs returned to the silver screen in (1991). This was the first Bugs Bunny cartoon since 1964 to be released in theaters and it was created for Bugs' 50th anniversary celebration. It was followed by, a cartoon that was shelved from theaters, but later premiered on in 1997 and has since gained a cult following among animation fans for its edgy humor. In 1996, Bugs and the other Looney Tunes characters appeared in the live-action/animated film, directed by and starring superstar. The film also introduced the character, who becomes Bugs' new love interest.
Space Jam received mixed reviews from critics, but was a box office success (grossing over $230 million worldwide). The success of Space Jam led to the development of another live-action/animated film, released in 2003 and directed. Unlike Space Jam, Back in Action was a, though it did receive more positive reviews from critics. In 1997, Bugs appeared on a, the first cartoon to be so honored, beating the iconic Mickey Mouse. The stamp is number seven on the list of the ten most popular U.S. Stamps, as calculated by the number of stamps purchased but not used.
The introduction of Bugs onto a stamp was controversial at the time, as it was seen as a step toward the 'commercialization' of stamp art. The postal service rejected many designs and went with a postal-themed drawing. Avery Dennison printed the Bugs Bunny stamp sheet, which featured 'a special ten-stamp design and was the first self-adhesive issued by the.' More recent years A younger version of Bugs is the main character of, which debuted on in 2001. In the action comedy, his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor's Brooklyn accent and comic wit. Bugs as he appears in Season 2. In 2011, Bugs Bunny and the rest of the Looney Tunes gang returned to television in the Cartoon Network sitcom,.
The characters feature new designs by artist Jessica Borutski. Among the changes to Bugs' appearance were the simplification and enlargement of his feet, as well as a change to his fur from gray to a shade of (though in the second season, his fur was changed back to gray). In the series, Bugs and Daffy Duck are portrayed as best friends as opposed to their usual pairing as rivals. At the same time, Bugs is more openly annoyed at Daffy's antics in the series (sometimes to the point of aggression), compared to his usual carefree personality from the original cartoons. Bugs and Daffy are close friends with Porky Pig in the series, although Bugs tends to be a more reliable friend to Porky than Daffy is. Bugs also dates Lola Bunny in the show despite the fact that he finds her to be 'crazy' and a bit too talkative at first (he later learns to accept her personality quirks, similar to his tolerance for Daffy).
Unlike the original cartoons, Bugs lives in a regular home which he shares with Daffy, (whom he treats as a pet dog) and, in the middle of a with their neighbors Yosemite Sam, and. In 2015, Bugs starred in the direct-to-video film, and later returned to television yet again as the star of Cartoon Network and 's comedy series. Bugs has also appeared in numerous, including the Bugs Bunny's Crazy Castle series, Scooby Doo and Looney Tunes: Cartoon Universe, and Looney Tunes Dash. Personality and catchphrases. 'Some people call me cocky and brash, but actually I am just self-assured.
I'm nonchalant, imperturbable, contemplative. I play it cool, but I can get hot under the collar. And above all I'm a very 'aware' character. I'm well aware that I am appearing in an animated cartoon.And sometimes I chomp on my carrot for the same reason that a stand-up comic chomps on his cigar. It saves me from rushing from the last joke to the next one too fast.
And I sometimes don't act, I react. And I always treat the contest with my pursuers as 'fun and games.'
When momentarily I appear to be cornered or in dire danger and I scream, don't be consoined – it's actually a big put-on. Let's face it, Doc. I've read the script and I already know how it turns out.' — on Bugs Bunny, written in. Bugs Bunny is characterized as being clever and capable of outsmarting anyone who antagonizes him, including, and a host of others.
One of the characters who holds the rare distinction of defeating Bugs is, following the pattern 's famous, where the rabbit was the antagonist, while the turtle was the protagonist (Bugs and Cecil, respectively). Their encounters were depicted in, and.
Bugs almost always wins these conflicts, a plot pattern which recurs in Looney Tunes films directed. Concerned that viewers would lose sympathy for an aggressive protagonist who always won, Jones arranged for Bugs to be bullied, cheated, or threatened by the while minding his own business, justifying his subsequent antics as retaliation or self-defense. He's also been known to break the by 'communicating' with the audience, either by explaining the situation (e.g. 'Be with you in a minute, folks!' ), describing someone to the audience (e.g. 'Feisty, ain't they?'
), clueing in on the story (e.g. 'That happens to him all during the picture, folks.' ), explaining that one of his antagonists' actions have pushed him to the breaking point ('Of course you realize, this means war.' ), admitting his own deviousness toward his antagonists ('Ain't I a stinker?' Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase 'Of course you realize this means war!' Before he retaliates, and the retaliation will be devastating. This line was taken from and others in the 1933 film and was also used in the 1935 Marx film.
Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in, for example) or sometimes with a direct impersonation (as in ). Other directors, such as, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in, or the Gremlin in ), his overconfidence becomes a disadvantage. Bugs' nonchalant carrot-chewing standing position, as explained by Freleng, Jones and, originated in a scene from the 1934 film, in which 's character Peter Warne leans against a fence, eating carrots rapidly and talking with his mouth full to 's character.
This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as. Coincidentally, the film also features a minor character, Oscar Shapely, who addresses Peter Warne as 'Doc', and Warne mentions an imaginary person named 'Bugs Dooley' to frighten Shapely. 'What's up Doc?' Is a very simple thing.
It's only funny because it's in a situation. It was an all Bugs Bunny line. It wasn't funny. If you put it in human terms; you come home late one night from work, you walk up to the gate in the yard, you walk through the gate and up into the front room, the door is partly open and there's some guy shooting under your living room.
So what do you do? You run if you have any sense, the least you can do is call the cops. But what if you come up and tap him on the shoulder and look over and say 'What's up Doc?' You're interested in what he's doing.
That's ridiculous. That's not what you say at a time like that. So that's why it's funny, I think. In other words it's asking a perfectly legitimate question in a perfectly illogical situation.' — on Bugs Bunny's catchphrase 'What's up Doc?' The carrot-chewing scenes are generally followed by Bugs' most well-known catchphrase, 'What's up, Doc?'
, which was written by director for his first Bugs Bunny film, (1940). Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the cartoon was first screened in theaters, the 'What's up, Doc?'
Scene generated a tremendously positive audience reaction. As a result, the scene became a recurring element in subsequent cartoons. The phrase was sometimes modified for a situation. For example, Bugs says 'What's up, dogs?' To the antagonists in, 'What's up, Duke?' To the knight in, and 'What's up, prune-face?'
To the aged Elmer in. He might also greet Daffy with 'What's up, Duck?' He used one variation, 'What's all the hub-bub, bub?'
Only once, in. Another variation is used in when he greets a -wielding Marvin the Martian saying 'What's up,?' In many of Bugs' appearances in the 1940s Merrie Melodies and Looney Tunes shorts, his carrot-chewing made its way into the opening sequence of the cartoon. In these cases, Bugs would be lying atop the Warner Brothers shield logo as it came onto the screen and eating his carrot. After a few seconds, Bugs would stop eating and shoot the audience a dirty look for staring at him. From there, one of two things would happen.
Frequently, the open would simply dissolve into the cartoon series logo, but on occasion, Bugs would reach up to the top of the screen and pull the logo down like a curtain to give himself some privacy. This formed the basis for the later intro to Bugs' cartoons, where he would pull the bottom of the screen up and be shown sitting atop his own intro screen while eating a carrot. Several Chuck Jones films in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Barcelona, Spain ( ), the ( ), and ( ) all because he ' knew (he) shoulda taken that left toin at.' He first utters that phrase in (1945), when he emerges in the, a cartoon seldom seen today due to its blatantly topical subject matter. When says to Bugs, 'There is no Las Vegas in 'Chermany' and takes a potshot at Bugs, Bugs dives into his hole and says, 'Joimany! , as Bugs realizes he is behind enemy lines.
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The confused response to his 'left toin' comment also followed a pattern. For example, when he tunnels into Scotland in (1948), while thinking he is heading for the in, it provides another chance for an ethnic joke: 'Therrre arrre no La Brrrea Tarrr Pits in Scotland!' (to which Bugs responds, 'Scotland!?
Eh.what's up, Mac-doc?' A couple of late-1950s/early-1960s cartoons of this ilk also featured Daffy Duck travelling with Bugs ('Hey, wait a minute!
Since when is inside a cave?' Voice actors The following are the various vocal artists who have voiced Bugs Bunny over the last 75-plus years for Warner Bros.' Animated productions.
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Mel Blanc was the original voice of Bugs and would voice the character for nearly five decades. Mel Blanc voiced the character for almost 50 years, from Bugs' debut in the 1940 short until Blanc's death in 1989.
Blanc described the voice as a combination of and accents; however, claimed that he asked Blanc to give the character not a New York accent per se, but a voice like that of actor, who frequently appeared in supporting roles in the 1930s and whose voice might be described as. In Bugs' second cartoon, Blanc created a completely new voice for Bugs, which sounded like a impression, but the directors decided the previous voice was better. Though Blanc's best known character was the carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as, were tried, but none of them sounded like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a rather than swallowing them, and continue with the dialogue. One often-repeated story, possibly originating from, is that Blanc was allergic to carrots and had to spit them out to minimize any allergic reaction — but his autobiography makes no such claim. In fact, in a 1984 interview with, co-author of The Magic Behind The Voices: A Who's Who of Voice Actors, Blanc emphatically denied being allergic to carrots.
Others. (, Happy Birthday, Bugs!: 50 Looney Years, Bugs Bunny's Lunar Tunes, Bugs Bunny's Creature Features, Pride of the Martians, video games).
( Tiny Toon Adventures, ). ( Tiny Toon Adventures). ( Tiny Toon Adventures). (, Quest for Camelot Sing-a-Longs, Looney Tunes Sing-a-Longs, Looney Tunes: Reality Check, Looney Tunes: Stranger Than Fiction, video games). (, Looney Tunes ClickN READ Phonics, Looney Tunes, video games). (, ). ( ).
( ) Reception and legacy. Statue evoking Bugs Bunny at Butterfly Park Bangladesh. Like for, Bugs Bunny has served as the mascot for and its various divisions. According to, Bugs has appeared in more films (both short and feature-length) than any other cartoon, and is the ninth most-portrayed film personality in the world. On December 10, 1985, Bugs became the second cartoon character (after Mickey) to receive a star on the. He also has been a pitchman for companies including and.
His Nike commercials with as 'Hare Jordan' for the Air Jordan VII and VIII became precursors to. As a result, he has spent time as an honorary member of, including having Jordan's Jumpman logo done in his image.
In 2015, as part of the 30th anniversary of Jordan Brand, Nike released a mid-top Bugs Bunny version of the Air Jordan I, named the 'Air Jordan Mid 1 Hare', along with a women's equivalent inspired by called the 'Air Jordan Mid 1 Lola', along with a commercial featuring Bugs and. In 2002, compiled a list of the 50 greatest cartoon characters of all time as part of the magazine's 50th anniversary. Bugs Bunny was given the honor of number 1.
In a broadcast on July 31, 2002, a TV Guide editor talked about the group that created the list. The editor also explained why Bugs pulled top billing: 'His stock.has never gone down.Bugs is the best example.of the smart-aleck American comic. He not only is a great cartoon character, he's a great comedian. He was written well. He was drawn beautifully.
He has thrilled and made many generations laugh. Some have noted that comedian is the nearest contemporary comedic equivalent to Bugs. They attribute this to, 'their ability to constantly flip the script on their unwitting counterparts.' Notable films. See also:. (1938) - prototype debut.
(1940) - official debut; Oscar nominee. (1941) - Oscar nominee. (1957) - voted #1 of the of all time and inducted into the. (1958) - Oscar winner.
(1964) - final regular cartoon. (1988) - first, and so far, only appearance in a film; appeared alongside Disney's mascot, for the first time. (1996) - appeared alongside superstar,. (2003) - most recent feature-length appearance Language American use of the term to mean 'idiot' is attributed (in ) entirely to Bugs's expostulation 'What a Nimrod!'
To describe the inept hunter Elmer Fudd. See also. Adamson, Joe (1990). Bugs Bunny: 50 Years and Only One Grey Hare. New York: Henry Holt.; Friedwald, Will (1989). Looney Tunes and Merrie Melodies.
New York: Henry Holt. Chuck Amuck: The Life and Times of an Animated Cartoonist.; Bashe, Philip (1988). That's Not All, Folks! Clayton South, VIC, Australia: Warner Books. Maltin, Leonard (1987). Of Mice and Magic: A History of American Animated Cartoons (Revised ed.).
New York: Book. Barrier, Michael (2003). 'Warner Bros., 1933-1940'. Rubin, Rachel (2000). 'A Gang of Little Yids'. Sandler, Kevin S. (2001), 'The Wabbit We-negatiotes: Looney Tunes in a Conglomerate Age', in Pomerance, Murray,.
Walz, Gene (1998), 'Charlie Thorson and the Temporary Disneyfication of Warner Bros. Cartoons', in Sandler, Kevin S., External links Wikimedia Commons has media related to. Wikiquote has quotations related to:. on.
at. at Loonipedia.